Juxtaposition
Juxtaposition I am on my bike soaking in the soft moisture of a Spring night. The whole week has left the concrete pregnant with a lot more wetness than dew. It soaks through my sneakers and smears under my nose. "I should have grabbed a bike light," I say to the darkening fields. I imagine them totally embraced by black on my return home. I hope I don't get hit by a truck driver whose eyes can't distinguish me from the fields. The thing is even if I had a light I don't think it would bring light to those waiting in the dark. I mean some women I saw along the bike path curving toward the main road–that road that cuts fields, that creates alcoves for McDonalds, and stop offs for truckers. It is the road that is the juxtaposition between great expanses of grass and great intersections of concrete. The women are dark for the most part–some with chocolate skin, some with raven-like hair. One has a tutu on and two clips in her hair, but her face is hard. Another jux